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20139 Using Tradition to Rewrite History: African-American Artist Faith Ringgold and Her Story Quilts This paper discusses the artwork of African-American female artist Faith Ringgold. The paper examines reasons that Ringgold chose to work in the medium of story quilts, the historical significance of quilting and storytelling to African-Americans, and the political and social meanings of Ringgold's works, by describing in detail several of Ringgold's story quilts.
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20142 Rousseau the Artist: An Analysis of His Productive Years This ten-page graduate paper examines the productive life of the French artist Henri Rousseau. The author notes that because Rousseau was self-taught and didn?t start painting until he?d passed the age of forty, he had to struggle to overcome the unkind condescension and criticism of many of his contemporaries. His strange, unorthodox style was often derided by other artists as well, yet he succeeded in converting many of his critics into admirers, mostly because of the compelling, dreamlike jungle paintings he produced during his most productive years.
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20146 A Comparison Analysis of The Ragpicker by Edouard Manet and Portrait of a Peasant by Vincent Van Gogh This paper will show a comparison analysis of The Ragpicker by Edouard Manet and Portrait of a Peasant by Vincent Van Gogh. By revealing the elements of style, line, color, theme, and texture of both Manet's and Van Gogh's depiction of working class laborers, we can see why these elderly men resemble each other in their powerful symbolic stature as the working class people of the world.
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20148 Art and Culture: An Analysis of the Influence of Marxist Theory and Ideology This twelve-page undergraduate paper examines the influence of Marxist theory and ideology on current methodology. The author notes that examining Marxist art history and contemplating the social history of art within ideological, political and historical contexts has led to debate that the fragmented and confused state of the social history of art is the result of the rejection by many radical cultural and art historians of Marxism. The reasons for this are ultimately to be found in the material conditions of late twentieth century culture and society, and in the political disorientation of liberals and most of the Left.
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20162 The Controversy of Michelangelo?s Last Judgment This paper will examine the moral issues that surrounded the painting of the Last Judgment by Michelangelo. By understanding his depiction of saints and sinners, we can objectively understand the usage of the Michelangelo's nudes to cause an uproar in the Vatican. The anatomy of Michelangelo, his main talent in this work, was condemned due to the revealing of skin and genitalia, and created one of the great moral controversies in renaissance art.
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20193 Mystery of the Egyptian Pyramids It is difficult to imagine how stone weighing as much as one and a half tons gets stacked some 450 feet high without the use of modern machinery in order to build the pyramids of Egypt. Further, this leads to the question of why. Why do it? Did the ancient Egyptians embark on a feat simply to prove that it could be accomplished? This essay will investigate literature written on the topic that covers the reasons for building them and how they were built. Following this literature review, this essay will attempt to utilize all of the research to develop a more complete answer that cannot be limited to one particular theory.
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20197 The Theme of Appetite and Desire in 17th Century Dutch Paintings This paper will examine the role of theme of appetite and desire in 17th Century dutch paintings. By exploring the works of Rembrandt, Vermeer, and Rubens, we can surely see how Puritanical thought influenced the many moral tales of appetite and desire behold, as well as those non-convenational aspects of Dutch painting that rebelled against strict moral codes of the time. By revealing the genre of these Dutch painters, we can see how they confront appetite and desire in their works.
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