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11288 Hollow Man and Social Fears. Our world is dominated by fears of death - all fears ultimately end in the fear of death. Icarus could fly, Caine became invisible. Hollow Man is just that - a man in pursuit of that which will ultimately rob him of his soul, Caine is indeed hollow. The adventure story is by far the easiest medium to express the black and white nature of this confrontation of social fears. We are not allowed to challenge God / Nature / Society. Hollow Man delivers all of this in one simple film. 3 pgs. Bibliography lists 4 sources.
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1662 Social Pessimism versus Humanism in the films of Vitorio De Sica. The Italian Neo-Realist movement did not spring from thin air so, this paper will examine De Sica's films in greater detail as well as examine the environment which shaped his views.8.5 pgs. 5 f/c. 3b.
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1829 The Holocaust in Italian Cinema. Italy's experience of fascism has been regularly referred to in her modern cinema, generally in ways that emphasize the social devastation and moral despair of the World War II experience. This paper's discussion of several post-War contributions to the Italian cinema concentrates on questions of the Holocaust as it took form in Italy less drastically than elsewhere in occupied Europe. 7.5 pgs. 4 f/c. 10b.
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2415 The Symbolic Significance of Vision in The Princess and the Goblin and The Wizard of Oz. The thesis that will be argued is that in both texts sight/vision is used as a metaphor cautioning children about trusting everything that they see. Although the texts differ in the symbolic significance attached to sight/vision - with its depiction in The Princess and the Goblin having more obvious religious overtones - in both imagination is shown to be a more important quality in relating to those around us without prejudice than is pure vision. 7.5 pgs. 9 f/c. 2b.
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2458 Asian Cinema and Hollywood: A Consideration. This paper will consider the differences of both Asian and American cinema. This paper will also look at the role of the hero in the action genre of these cinemas. A suggestion will be made that examining the ways heroes are portrayed reveals a great deal about the unspoken concerns of these two vastly different societies. 9 pgs. 11 f/c. 6b.
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2555 The Passion, The Love, The Fury: Directing The Dark Side. This paper will consider the different styles of Martin Scorcese, Francis Ford Coppola, and Oliver Stone and how they have perfected directing the modern American movie, where the darker side of violence and criminality form the subjects of their work. 4.5 pgs. 8 f/c. 4b.
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2606 A Review of Rocky and Rambo Within the Genre of Action. This paper reviews both these movies and the message both these movies suggest. 4 pgs. 0 f/c. 0b.
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