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1886 Constructs of (In)sanity in Literature: An Historical Analysis of "Madness" in King Lear and Moby Dick. What significantly distinguishes Shakespeare's tragic play, King Lear, and Herman Melville's epic novel, Moby Dick, can be traced to the historical constructs of "madness" which reflect their particular cultural contexts. Shakespeare, writing in the fifteenth century, was immersed with the ideological constructs of madness of his time. A complete "madness" analysis follows. 3 pgs. 9 f/c. 7b.
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6541 An Analysis of King Lear's Sense of Justice in Four Trials Within the Play. This paper will discuss the four trials in Shakespeare's play King Lear and discover if King Lear possesses any justice in the his participation over the trials. By analyzing these episodes that tell us how Lear plays the judge, we can see how he behaves in the scope of justice and what that means to him. An analysis of the motives in his judgment will be brought forth and revealed in the way that he plays king and judge in this play. 4 pgs. Bibliography lists 1 source.
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5447 The Characters of King Lear and the Fool: The Expression of How Character Determines Conduct. This paper examines the concept of how "character determines conduct", or how the personal qualities of the individual is reflected through their behavior. The text used to demonstrate this theme is Shakespeare's "King Lear", where the characters of Lear and the Fool are analyzed. 4 pgs. Bibliography lists 1 sources.
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5853 King Lear: Scene Analysis. This is a 4-page paper in MLA style that critically analyzes scene III from Act IV of King Lear by Shakespeare and identifies it as the scene of transformation. 4 pgs. Bibliography lists 1 source.
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10012 Love and Loss in "King Lear" and "The Merchant of Venice". This essay explores the themes of love, and loss, in two of Shakespeare's plays - "King Lear", and "The Merchant of Venice". Here, two characters are examined in order to understand their movements through loss and grief, towards redemption through love. The relation of personal and social identity is regarded as the primary effect of loss, giving way to grief and hatred. Similarly, through love, a sense of self is restored, thus enabling each character a way to redeem themselves, and to re-connect with a sense of identity. 5 pgs. Bibliography lists 4 sources.
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3394 Shakespeare: Justice, Revenge, and Mercy. This paper discusses the elements of mercy, justice, and revenge in the Shakespearean plays "Hamlet", "Othello", "King Lear", "Macbeth", "The Winter's Tale", and "The Tempest", paying particular attention to how mercy, justice, and revenge drive the respective plots and motivate the characters. 13 pgs. 15 f/c. 7b.
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3148 King Lear. In comparing and contrasting the Laurence Olivier version of King Lear in 1984 with the Peter Brook version in 1971, the author notices a number of variables in the body language of the actors and their clothing. There are several similar elements that both renditions share, as might be expected, and quite a few different aspects and approaches, especially regarding the respective physical portrayals of their characters by the respective actors and actresses. 5 pgs. 0 f/c. 2b.
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